Mastered by Mastering Engineer Saif Bari
https://www.rimasebatidas.pt/dead-end-sobre-disorder-queria-criar-alguma-awareness-para-desordens-do-foro-cerebral-e-para-doencas-mentais/
“Dead End on Disorder : “I wanted to create some awareness for brain disorders and mental illness””
Mastered by Mastering Engineer Saif Bari
Mixed by Eric Bard
Listen to Sean Connery on Spotify. Ivan and Peter · Single · 2020 · 1 songs.
Mastered by Mastering Engineer Saif Bari
"What If" - my quaran-tune, written and recorded in my basement, produced by Aidan Carroll Music - is now available everywhere. Grab it on your favorite platform here: https://ffm.to/buwhatif.ofp
"What If" confronts the reality and pain that comes with real change. This month as we celebrate Pride and participate in the push for true social equality, "What If" speaks directly to the global experience of wondering what comes next. My hope is that we "embrace the fall, [and] find who [we] are inside." This is the biggest opportunity of our lives to change everything. ❤
I will be donating $1 for every stream I receive on Spotify this premiere day (100 streams = $100) to the Arts Administrators of Color Network Art Leaders of Color Emergency Fund, which is raising money for BIPOC artists and administrators directly affected by COVID-10. Also, I will be making an ongoing donation based on my earning from "What If" to Caldera Magazine a bi-annual publication based in my hometown Philly that is dedicated to showcasing the voices and artists that identify as BIPOC.
I found these orgs using Annika Hansteen-Izora's BLK Ecosystem. You can learn more at Annika's IG! Sending love to everyone!
Photo by Jeff Watson
Edits by Jordan Masurét-Boy Untitled
What If, an album by Boy Untitled on Spotify
Mastered by Mastering Engineer Saif Bari
Tracks Mastered by Mastering Engineer Saif Bari
Mastered by Mastering Engineer Saif Bari
https://theelectrichawk.com/bemah-sharrol-kelby-say-no-mo
The BEMAH x Sharrol Kelby remix of Terror Reid’s “Say No Mo” is your pick if you’re looking for a dynamic remix that BUMPS. Terror Reid is already known for their fire tracks, serving as the perfect canvas for electronic mixes. BEMAH & Sharrol Kelby bring the perfect amount of wonky sounds and basslines, making an already solid song an undeniable banger that will make you scrunch your face in beautiful disgust.
“Say No Mo” brings in a number of subgenres. Giving us some halftime *as a treat,* they include other sounds in line with traditional dubstep, experimental bass, and more.
It’s a super metallic remix. It brings trap vibes with a slapping beat and some heavy bass to throw you off — in the best way. Not a stranger, Bemah has been in our sights since before his drop of “Losing My Mind” in May. Both him and Sharrol Kelby really showed their versatility in their approach to “Say No Mo.” Speaking of, Sharrol is a master of wonk and peculiarity when it comes to sound. From tracks like “S.L.A.N.G.” that are the definition of leftfield bass, to this Terror Reid remix, you can hear the way that Kelby’s influence blended perfectly with BEMAH’s to produce an exciting sound.
We’re seriously looking forward to more music dropping from both of them in the near future.
Mastered by Mastering Engineer Saif Bari
Artwork: Tracy Chawan @ tracychehwan.com
“It’s not that shocking anymore when a Dubstep guy plays some Halftime, or a House guy closes his set with a couple DnB tunes.” Whilst many purists would object, Budapest-born Peter Simon, aka DJ Madd is passionate about the richness and diversity of modern electronic music. From UK Bass, Dancehall and Dub to his unrelenting spate of Halftime flips of tracks by artists such as Calibre, Flowdan and Dillinja, Madd’s output has come a long way since his first vinyl release in 2008.
Attracting followers such as Skream, Mary Anne Hobbs and David Rodigan, Unchained Recordings is incredibly excited to be a part of the growth of Madd’s unique take on Jungle, Dub fusion and beat-driven electronic.
His new All Massive EP is a three piece club-selection combination that carries heavy bass-freight across Drum & Bass, Halftime and 140. All three tracks are amazing and charged with heavy funk-etched 808s, Jamaican flavours, rolling percs and just enough darkness to fit like a glove with a well-tuned 3am club sound-system - whilst keeping the dance floor charged with full-dial grins.
Mastered by Mastering Engineer Saif Bari
Graphic Design by Virgile Flores
Illustration by Antoine Martin
3D by Alexandre Caillot
Distribution by Rubadub
Birds of a feather flock together. Christian Coiffure and Comic Sans Records is a long story made out of plenty questionnable jokes, third rate movies on Netflix and "Aperobass". Musically speaking, we’ve followed the same path, interested in absolutely anything, serious on the substance but never on the form. This common culture quickly gave us the willing to work together, but it’s paradoxically the first time - except two tracks on our infamous compilations - that this idea comes to fruition, ‘cause we gotta say we share a common point, that of being stricklers for details, to the point of never being satisfied.
This EP, instead of not being subjected to the rule, is perhaps the most striking example. Even though the skeleton of those tracks have been composed in barely a day, the final versions are the results of several months of torture that turned into a quest to the holy grrrraaaiil (s/o Tim the Enchanter) through which Christian aimed to reach flawlessness without ever succeeding. But old Italian wise men once said "Perfect is the enemy of good", and people coming from a country that invented pasta alla carbonara must have a relevant opinion on the subject. Therefore it’s time to rely on this latin wisdom and to release those Left Undone tracks, which without necessarily being perfect still sound as good as a record would deserve.
The idea behind those 3 tracks was to build a bridge between Mr. Coiffure’s previous releases and the UK Club Culture by portraying emblematic elements of British electronic music in more mental and industrial frames. Syncopated Techno rhythms of "Sketches", stretched vocals from "Mere Karma Patters" and the 2-Step drums on "Bassbenderz Theme" are arranged around a particular sound design which can be found in old appearances of our boy, especially on Worst Records.
As a whole, the EP is to be apprehend as an exploratory work more than the outcome of reflective period. Nevertheless, the result sounds fresh as hell, and original as f***,so it proudly takes its place in our Comic Sans Catalog.
Mastered by Mastering Engineer Saif Bari
100% of the proceeds for "If the Moon Falls Down" will be donated to Color of Change (colorofchange.org)
I picked this organization because I believe their cause is well worth the donation. If you would like to have the file for my song “If the Moon Falls Down” I am asking $1 to download the track, with the ability to contribute more if you would like. Even if you would rather stream the song on other services, that option is available but I highly encourage you to hop on my Bandcamp when the time comes for me to post the link and donate a dollar to the cause. I don’t want you to take my word for why I think this is the right organization to donate to. I’m attaching their website link in my bio as well as their Instagram handle on this post so you can see for yourself and understand why I chose this organization in particular. If you don’t want to download the track and just donate, then take a look at their website, know the dire importance, donate on Bandcamp, and leave the rest to me. We are just getting started and we will not back down.
-Mattlyrics
I guess it was a normal conversation
I’m sorry if I made myself a fool
This harmony just couldn’t hold us both together
But the melody has kept me there for you
But everything could change here in an instant
You heard what they’ve been saying bout the moon
The tragedy is for the made up destinations
And memories I’d thought I’d make with you
If the moon falls down on our little part of town
And we’re both with someone new
Yeah if the moon is falling down and our time is running out
I think I’d rather spend it all with you
I guess it was a perfect revelation
The path I crossed was with the thought of you
And all the times that you would lead me to believing
That maybe you were thinking of me too
But maybe I digress into this feeling
When one door closes I should walk away
I somehow thought that all this talk of close encounters
Would make my moving on just go away
If the moon falls down in our little part of town
And we’re both with someone new
Yeah if the moon is falling down and our time is running out
I think I’d rather spend it all with you
